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The Intentional Fallacy, Against Interpretation And Meaning In Art

June 27, 2016
by Caroline Miller
"Just Read It", Andy Warhol, Buried Giant, Kazuo Ishiguro, Rochelle Gurstein, Susan Sontag, Susan Stoner, W(h)ither the New Sensibility, what is art?
2 Comments
In 2014, I wrote about the Intentional Fallacy, a term of literary criticism. (6/5/14)   The theory states that to understand a work of art, nothing is relevant except the piece itself.  Knowledge of the artist’s childhood or what he or she ate for breakfast has no bearing on int
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Nothing New Under The Sun

August 24, 2015
by Caroline Miller
Andy Warhol, Donna Tartt, Readymade novel, Saj Mathew, Samuel Beckett, Theatre of the Absurd", Villa-Matas, Waiting for Gadot, when doing the art is the art
2 Comments
The trick to make something old seem new again is to describe it using different words. The world will be mesmerized by the novelty. The ploy worked for Andy Warhol’s soup cans and made him a fortune. To be honest, I don’t believe there’s been a new idea in literature since Thea
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Vandalism Or Art, That Is the Question

December 30, 2013
by Caroline Miller
Andy Warhol, Doris Lessing, Dorothy Podber, Laslo Toth, Michelangelo's Pieta, Red Marilyn, Shot Ret Marilyn
2 Comments
vandalized painting
Andy Warhol, the man who painted Campbell soup labels and framed them as art, once said, “Good business is the best art.” (“Damage Control, by Ben Lerner, Harper’s, Dec. 2013 p. 46) Certainly, when it came to art Warhol knew his business. When the performance artist, Dorothy P
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Enough With The Floor Tiles

October 09, 2013
by Caroline Miller
"The Bear Chair", "Warning Art On View", "What's the Difference between Casanova and Jesus: The Facial Expression", Andy Warhol, Anne Appleby, Barry Johnson, Mondrian, Portal
6 Comments
Abstract art squares
The other day, the mail brought the latest edition of Portal, a glossy magazine published by my local art museum. Browsing through the pages, I came across two articles of interest. The first was a critic’s essay defending an exhibit that angered several patrons, material which, the
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Banner art “The Receptive” by Charlie White of Charlie White Studio

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