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Cloak and Dagger Stuff Without A Trench Coat

August 02, 2018
by Caroline Miller
art theft, Art Vigilante, Christies, Christos Tsirogiannis, Liberal Arts Education, Medici, Southeby's, stolen ancient artifacts, Vernon Silver
0 Comment
With colleges and universities touting their science and technology departments over humanities and the arts, a person could forget how much fun living the life of Indiana Jones (Click) can be — minus the poison darts, of course.  But it is possible to live the life if one has
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Guaranteed Gambol

February 01, 2018
by Caroline Miller
Christies, guaranteed art sales, guarantors in the art world, II Duce, Jean-Michel Basquiat, Katya Kazaina, Leonardo da Vinci, Salvator Mundi, Southeby's
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For the very rich, collecting art isn’t for love but for money.  (Blog 2/20/17)  In today’s world, investors are looking for guarantees.   (Blog, 6/20/17)  They want a fixed price for a famous work they put up for sale.  Otherwise, they risk lowering
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Robin Hood Is Alive And Well

December 14, 2017
by Caroline Miller
charitable giving, Christies, Robin Hood Foundation, Southyby's
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Tis the season when charities are making a final holiday push for money to fund their causes.  They know how to tug at the heartstrings, but some folks still appear to have money to burn. Recently, I read the auction houses,  Sotheby’s and Christie’s, are offering purses wit
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As Art Goes, So Goes The World

October 25, 2016
by Caroline Miller
Chen Dongsheng, Christies, correlation between art and oil, correlation between art and the stock market, Michelle Celarie, Southeby's, What's Good for Southeby's Is good for the World
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Investing in art in the hope of making a profit is never and idea I’d recommend.  Most of us haven’t enough capital to buy works by artists with a large following, which means our purchases are unlikely to grow in value. Worse, tastes can change over time.  Finding the next Andy
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Only Hardware

December 16, 2014
by Caroline Miller
art and value, Christies, Jay Felden, Mark Rothko, Nailing It
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I wonder how long I can go on being amazed at the way our wealthiest citizens collect paintings without regard for whether or not the work and its price have any direct relationship.   How valuable can a canvass covered with paint be?  All things being relative, I admit an objectâ€
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Banner art “The Receptive” by Charlie White of Charlie White Studio

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