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Word Processing: Who Knew Its Fascinating History?

Jun 06, 2016
by Caroline Miller
A Literary History of Word Processing, Dictaphones, Isaac Asimov, John Updike, Josephine Livingstone, Matthew Kirschbaum, Michael Crichton, Word Perfect, word processors
2 Comments

I sometimes marvel at the subjects some authors choose to explore.   Take, Track Changes: A Literary History of Word Processing by Matthew Kirschbaum.  (“Word Perfect,” by Josephine Livingstone, New Republic, June 2016, pgs. 71-73.)   How large, I wonder, is the audience that lusts to learn how word processors morphed into computers?   Curious, I sat down to read the book’s review and discovered I not only marveled at how authors adapted to the electronic device when it became available, but I dredged up  memories of my own.  

A journalist friend gave me my first lesson on the word processor.  When I visited his office one day,  he sat me down in front of new  his contraption, eager to demonstrate the ease with which copy could be edited.  He showed me how whole pages could be cut, pasted, deleted and rearranged with the click of a button.  The experience was mind-boggling, because my method involved scissors and paste. 

Though I was quick to see the advantages of the invention, I was skeptical, too.   Letters composed of bits and bytes that flashed across an electronic screen didn’t seem real, not like the ink on paper.  What if I hit a wrong key and the page disappeared, as it sometimes did ?  Or the city suffered a blackout?  Too risky, I thought.  Besides, I’d made the leap from notepad to an electronic typewriter.  That was enough progress.

Over time, of course, I relented.  But I still don’t trust my computer.  Today, I have 3 experts close at hand and wonder at the innocence of those who have none.

Isaac Asimov took to the word processor like a cow to clover and said it improved his writing. He didn’t mean his style or his imagination improved.  He meant his copy was cleaner.  Asimov, apparently, was noted for his messy pages.  Michael Crichton also marveled at the ease with which he could manipulate his text, moving the first paragraph to the last paragraph of the last page of his piece with the click of a button.  John Updike, one the other hand, was suspicious of the machine. “The traditional journey of the text toward perfection was being altered, cutting out people along the way.” (Ibid pg. 72)

By “people” Updike meant his secretary.  He was right, of course.   Eventually, she disappeared like a genie back into its bottle.  So did shorthand and Dictaphones.  A writer’s new found freedom meant no one was looking over his or her shoulder.  No one caught the typo before the copy editor. Such freedom can be a bit scary. Nonetheless, composing became easier, faster and flexible, which allowed authors to play with style.

Guttenberg and words

Courtesy of yahoo.com

Who knew a machine could have such impact upon literature?   Well, Guttenberg, with his printing press, might have guessed.    

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2 Comments
  1. Janet June 6, 2016 at 11:55 am Reply
    Irony. I wrote a longish post about my memory of my transition from typewriter to computer during my 33-year career as a banker and then entered the CAPTCHA code incorrectly and it was rejected and deleted! I should have just written a note (in pencil) and mailed it!
    • Caroline Miller June 6, 2016 at 1:02 pm Reply
      Oh Dear! Well, that proves my suspicion. A person can't trust those electronic words!

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Contact Caroline at

carolinemiller11@yahoo.com

Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published four novels

  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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