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A Lesson In How To Avoid Turning Blue

Sep 01, 2017
by Caroline Miller
Alternate Nostril Breathing, Emma Sepala, Jennifer Matlack, The Breathing Cure, yoga practice
4 Comments

When I took yoga classes a while ago, the teacher kept reminding her students to breathe. I thought that was strange because breathing is as natural as, well…. breathing. But, Emma Sepala, PhD at Stanford University and co-author of a book on post-traumatic stress affirms that, “the psychological effects of mindful breathing are profound.” (“The Breathing Cure,” by Jennifer Matlack, More, April 2014 pg. 108)

 I don’t have a PhD but I agree. Stop breathing and watch yourself turn blue.

 Of course yoga teachers are prone to claim their discipline is meant to improve our lives but I know that’s a lie. I offer the picture below in evidence.

complex yoga pose

 

 

 

 

 

 

(courtesy of rudrakshayoga.wordpress.com)

 If you don’t want to turn your body into pretzel why trust a yoga teacher’s advice on breathing? Their exercise called Alternate Nostril Breathing is a prime example of how to make something easy seem complicated. The practice is supposed to calm stress — which is our enemy because it wears away the protective ends of our DNA and invites illness. Breathing through one nostril at a time is supposed to interrupt the stress cycle and bolster the health of our genes. That may be so, but I’m dubious and invite you to try it. Sit comfortably and begin by pressing “the fleshy part of your thumb against your right nostril. Exhale and inhale once through your left nostril. Release your thumb and press your index finger on your left nostril. Exhale and inhale once through your right nostril. Repeat for 27 rounds 3 times a day.” (Ibid pg. 110)

nose-breathing

 

 

 

 

 

(Courtesy of breathinggene.blogspot.com)

 27 rounds 3 times a day? That’s the dubious part. I admit I breathe all day and all night but who has time to count? What’s more, the pose strikes me as unnatural. What’s the point of having two nostrils, if we’re only allowed to use one?

 And think about it. Sitting in a room filled with people holding their noses is funny. I want to laugh but know I shouldn’t. The tension is stressful. Besides, why should I suppress a good belly laugh when it’s the best form of breathing I know.

(Orignally posted 5/5/14)

 

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4 Comments
  1. Bill Whitlatch May 5, 2014 at 9:18 am Reply
    Thanks for making me smile this morning. I once did the breathing yoga thing and came to the same conclusion.
    • Caroline Miller May 5, 2014 at 9:35 am Reply
      Glad I made you smile this morning, Bill. I've justified my existence. Of course, some yoga teachers might be unhappy with me but they're so "chill" I know they will forgive me.
  2. Alex May 5, 2014 at 5:21 pm Reply
    Hello Caroline. Breathing is indeed an interesting phenomenon, with a great deal of disinformation being spread by various industrious and hopeful people. "Yogic" belly breathing (or any other modality that encourages belly breathing) is as fanciful as believing in fairies. There are no physical connections between your lungs and your belly. One can swallow air, or ingest a soft drink to fill ones belly with gas, but you simply cannot breath "into" your belly unless your have perforated your abdomen in some horrific way. One can produce all sorts of breathing phenomenon, should ones honor or reputation depend on it, but in truth the ribcage and diaphragm are the only real moveable parts involved besides the soft tissue of your lungs. Every other manifestation of breathing is an effect, and peripheral to the main event. Many will vehemently disagree, but that's the thing about science, it's true even if you don't believe it
    • Caroline Miller May 5, 2014 at 9:34 pm Reply
      Hi Alex. Thank you for stopping by and clearing the air on breathing. I'd never be one to quarrel with science, but when it comes to fairies, I believe. I believe.

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Contact Caroline at

carolinemiller11@yahoo.com

Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published four novels

  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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