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Beware: Art Prints Never Come At Reasonable Prices

Dec 18, 2018
by Caroline Miller
collect original art, old frames, Renoir's ballet dancers, student art
4 Comments

Renoir courtesy of google.com

A friend emailed me a question the other day.  ” Caroline, can you suggest any artists you think I would enjoy?  I’ve cleared a few walls and even though it’s not a financially good time for new, original art, I think prints can sometimes be found at quite reasonable prices.”

As an art collector, I shuddered to read the question.  The truth is, almost anyone can afford an original piece.  In fact, if a person lived in a hovel, that would be all the more reason to hammer a beautiful image on the wall.  We need art if we are to dream. 

In my collecting experience, I’ve been lucky. I haven’t had to spend much money.  Mostly, I cultivate local artists, the younger the better, those whose work touches me. Over the years,  I’ve managed to assemble a decent array.  My one regret is that one day my “little family” will go to my estate where they will inevitably be scattered to the four winds.

The pain of that dissolution shouldn’t deter me, or anyone else, from collecting art, however.  A good way to start is to haunt student art shows.  There you will discover talent before it’s fully bloomed.  And think of the bragging rights if you have a good eye.  “Oh yes, she was 19 when I bought this sketch for $50.  Today, you couldn’t touch it for less than $1,000.”

Sadly, too many folks cover their walls with prints rather than support a struggling artist.  I see these people in shops with a rolled up copy of Renoir’s ballet dancers tucked under one arm, as they consult a clerk about a proper frame.  The print probably set them back $25.  The frame, though worthless without content,  will cost no less than $75.  More, when you add matting.

For $100 a person can purchase original student work.  It might grow in value  It might not.  What’s important is that you like it and with each passing year, you will be warmed by the memory of the first day you clapped eyes on it and fell in love.  One can’t have warm, fuzzy feelings about a frame.   The best an old frame can expect is to collect dust in secondhand shop.

In the end, my reply to the email I received was simple.  “Don’t settle for a print.”  Most artists, especially young ones, will cut a deal to please someone who admires of their work.  The compliment is too heartwarming to cast aside.  Buy the best art you can afford and if it’s small, never mind.  Buy a larger frame.  I’ve told you where to find those.   

Art is real.  Art is earnest.  Once you’ve begun to collect, you’ll never hover before a cliché print again. 

 

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4 Comments
  1. Christine Webb December 18, 2018 at 1:03 pm Reply
    This is so very true, Caroline. One small original painting has been hanging with me for 50 years and I love it today even more than I did the day my brother purchased it for me as a gift from a small gallery on NW 23rd. As I continue my quest to downsize I find it most difficult, if not downright impossible, to relinquish my artwork and favorite books. For me, they create my cozy and comfort, whether they're older treasures or newer ones . Now, if I can just remember where I put my hammer...
    • Caroline Miller December 18, 2018 at 1:36 pm Reply
      Can't help you with the hammer, but do applaud your passion for art.
  2. Betsy December 19, 2018 at 10:51 am Reply
    Caroline, I do the same with student shows. Also, our "sycamore tree", that I feel is mystical, and shows it's bark drooping down it's trunk as our wrinkles do the same, was sketched by a resident here, and I snapped it up to sleep on the wall next to my bed. Aah.
    • Caroline Miller December 19, 2018 at 12:25 pm Reply
      You are right. A collector needs a good eye more than money.

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Contact Caroline at

carolinemiller11@yahoo.com

Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published four novels

  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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