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The Butterfly Effect

Feb 20, 2018
by Caroline Miller
Caroline London, French silk industry, Marie Antoinette, slavery in the American south, the buterfly effect, The Dress that Drove the Slave Trade
2 Comments

Marie Antoinette courtesy of google.com

We’ve all heard about the butterfly effect: a butterfly flaps its wings in New Mexico and causes a hurricane in China.  The expression seems mystical, like a Japanese koan, but it’s simply a matter of cause and effect.  One of the best examples starts with a dress.

In the 18th century, Marie Antoinette posed for a painting in a gauzy cotton gown.  The chemise was so similar to undergarments worn beneath silk fashions, it caused a scandal.  Prudishness wasn’t the real reason, however.  The French silk industry feared a challenge to its sartorial dominance and charged the queen, Austrian by birth, of being unpatriotic.

Ultimately, Antoinette lost her head, but throughout Europe, she left behind an appetite for cotton.  India, the primary source, couldn’t keep up with the  demand.  That’s when the American south stepped in. Till then, its major agricultural exports had been foodstuffs like tobacco and corn.  Cotton was a domestic product, harvested by indentured servants.  When southern farmers saw their opportunity to enter the cotton trade, they resorted to slaves to make it profitable.  Until then, slavery had been dying out.  By 1790, however, the population mushroomed from a few hundred thousand to 1. 1 million. It kept growing until the Civil War. (“The Dress That Drove the Slave Trade,” by Caroline London, reprinted from Racked.com in The Week, Feb. 9, 2018, pgs. 36-37)

If Marie Antoinette’s is guilty of anything, it is for the butterfly effect. From a dress, to a beheading, to the French Revolution, to the destruction of the French silk industry, to a demand for cotton, to the rise of slavery and the American Civil War.  More than a pretty face, she changed the course of European and American history.

 

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2 Comments
  1. John Briggs February 20, 2018 at 10:14 am Reply
    Good to see your Blog again. The meaning of "change" is at issue here. Presumably, anything we do, say, feel, or think can have an influence on something or someone else as well as ourselves. But there are at least two complications: 1) there is a hierarchy of causes, with some far more influential than others, and 2) there are networks and webs of influence that sometimes create effects because of a unique combination of factors. Marie Antoinette wore a cotton dress because cotton and cotton dresses were available, or could be made available. Her wearing of the dress may have influenced fashion choices, but so were a range of other factors. The rise of cotton would not have occurred without a kaleidoscope of causes working together. Infeed it might have occurred as a result of several different combinations of factors, one of which became the dominant galaxy of causes. One thinks of celestial motions, which all influence one another. A cough on earth changes the sun. But in all this flux we continue to look for, and often find, more primary causes. That search is a basis of thought, regarding both natural and human phenomena. Without some sort of grounds for weighing and judgment, the principle of everything-influencing everything-else becomes indistinguishable from the principle that there really are no causes to speak of, only a universal mess that never can be sorted out, or acted upon by responsible human beings. Oh, if only Marie had given them bread.
    • Caroline Miller February 28, 2018 at 8:35 am Reply
      It's true about the bread. But I'm grateful for your comment. Today, I was a little fearful of cutting my hair.

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Contact Caroline at

carolinemiller11@yahoo.com

Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published four novels

  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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