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The Art Of Imperfection

Jun 01, 2012
by Caroline Miller
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I sat down with my grilled cheese sandwich yesterday to read the winning essay from a women’s magazine contest. The woman wrote about her husband’s troubled return from Iraq. Certainly, her subject touched countless numbers of families and the opening paragraph was gripping. I expected to be with the story, heart and soul, to the last line. But I wasn’t. A paragraph later, I’d stopped reading and turned the page.

My decision almost felt un-American. The subject had all the ingredients for a moving account of military sacrifice. Instead, it felt dead. For a moment, I sat considering my reaction and then realized the writing was too much perfected… too overwritten. Words marched across the page in correct order, subjects agreeing with verbs, punctuation behaving like traffic cops, telling us when to go, when to pause, when to stop. The essay read like homework for an English class – grammatically correct – but like cold marble, it had no life.

 image of red paint drip

(courtesy: swervechurch.wordpress.com)

Japanese art doesn’t strive for perfection, I’m told. Given the beauty of their work, that’s difficult to believe. But if the theory is correct, somewhere in each piece is a small imperfection meant to reflect its human creator.

We are not gods. Perfection may awe us, but what touches us are imperfections. We can identify with those.

I don’t know what makes words breathe life into a page. I’d be a better writer if I did. But I do know good writing requires more than a topic of the heart. It must reverberate with feeling. It must draw blood. That passion… that imperfection… gives art its life.

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Interview: Caroline Miller on Back Page with Jody Seay

Banner art “The Receptive” by Charlie White of Charlie White Studio

Thanks to Kateshia Pendergrass for Caroline’s picture.

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