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What The Duchess Of Windsor Taught Us About Jewels

Oct 11, 2016
by Caroline Miller
Duchess of Windsor, gems as investments, Queen Elizabeth I, rubies of Myanmar, Stacy Perman, turquoise
4 Comments

I don’t wear much jewelry, costume or otherwise.  When I was in public life, I bought a few nice pieces, mostly turquoise, which I picked up during my visits to Arizona.  At the time I started collecting, the stone was semi-precious.  Now, with dwindling quantities, it’s become a precious stone.  But I don’t think of my pieces as investments.  In fact, I’ve given some away as gifts. 

Elizabeth I of England wore a dazzling array of jewels as she grew older.  One biographer suggested she used the glitter to detract from the ravages time wrought upon her person.  Certainly, given their great value, wearing them brought her respect,  if not admiration.

Duchess of Windsor jewel

Duchess of Windsor jewel courtesy of www.jewlesdujour.com

While newly cut gems are readily available, the Duchess of Windsor’s estate sale  increased the public’s awareness of rarities to be found at auction houses. That’s probably why their prices are soaring.  As women have become financially independent, they are willing to buy jewelry for themselves rather depend upon gifts from an amorous suitor. (“Why Estate Jewelry Is Sparkling,” by Stacy Perman, Fortune, September 15, 2016, pg. pg 41.)

Thinking of jewelry as an investment is risky business.  The market fluctuates as do tastes.  But signed pieces hold their value and, if possible, an investor should obtain a  genealogical certificate from a reputable dealer or auction house. (Ibid pg 42.)  When it comes to buying rubies and sapphires, writer Stacy Perman advises that besides quality, cut , carat and clarity, the country of origin is important. The finest rubies, those of a “pigeon blood” color, are said to come from Myanmar. (Ibid pg. 42.)

Most of us don’t live in a rarefied atmosphere where we must worry about certificates or country of origin.  Most of us buy jewelry to accent a garment rather than aim to make a status statement.  Wearability is key. That’s why, though I have given away diamonds and rubies and pearls, I’ve kept my faux silver beads.  They go with everything and never tarnish.   

 

 

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4 Comments
  1. MaryBeth Kelly October 11, 2016 at 1:03 pm Reply
    I love finding costume jewelry in thrift shops and sales. I no longer collect more than just an occasional pin that strikes my fancy. Mostly it is the emotional tug that spurs me to buy the pin (and of course a low cost factor).
    • Caroline Miller October 11, 2016 at 1:13 pm Reply
      I confess, I bought a small piece not long ago, a "gen" studded pin in the shape of a peacock. I have no idea why I did it. It was just too pretty and, as you say, the price was right. All that glitters still catches my eye.
  2. Pamela October 13, 2016 at 10:20 am Reply
    I, too, prefer semi-precious stones and work that I find in craft/art fairs or thrift/antique shops. They have character and stories. I cannot stand the pressure of expensive jewelry. But I do love seeing it! I remember going to see the tour of the Russian Faberge' eggs when they were in the US some decades ago--astonishingly beautiful (and hedonistic, if you will). :-)
    • Caroline Miller October 13, 2016 at 11:32 am Reply
      Ah, a lover of the Russian egg. I could agree more.

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Contact Caroline at

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Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published five novels

  • Getting Lost To Find Home
  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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