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Facebook’s Brave New World

Nov 13, 2014
by Caroline Miller
Alina Tugend, Facebook, Facebook's control over content, Jay Barman, Lil Ms. Hot Mess and Sister Roma and Heklina
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We have a new reason “to despise Facebook,” says Jay Barmann of SFirst.com. (“Talking Points,” The Week,  October 3. 2014 pg. 16)  The company has long had a policy that requires users to subscribe under their real names.  But what’s in a name some Drag Queens are beginning to ask.   Film stars wouldn’t be caught dead using their given names.  Who would look up Diane Hall’s fan page when they want news of Diane Keaton?  Drag Queens are no different.  They make their living projecting a persona which includes their catchy monikers.  So, when Facebook gave an ultimatum to Lil Ms. Hot Mess, Sister Roma and Heklina  to use their real names “or else,”  pandemonium broke loose.

 Besides those wanting to use stage names, others may have good reasons for wishing to use an alias.  Women with abusive husbands or lovers seek anonymity, for example.  So do employees intending to keep employers from snooping on them.  

Alina Tugend, commenting in The New York Times, wants Facebook users to be under no  illusion about the terms for their presence on the social network’s site.  At any time, the company can pull the plug on a subscriber’s existence.   Last year, the ACLU was suspended for violating community standards when it posted “a photo of a bare-breasted bronze statue,” (Ibid pg. 16) — a decision which makes Facebook not only an arbiter of speech but of art as well.   

 When we sign their contract, we give the company censorship powers beyond those of the government’s and think little of it.  We imagine  we can walk away at any time.  But like the web itself, wherever we go we leave traces of ourselves.  Who owns those traces?  The law is still unclear, making the present a good time for a discussion on consumer internet rights.   At the moment, Facebook is the sole arbiter of its content with powers to sell our information, censor our behavior or eliminate us altogether.  Talk about a brave new world. 

Drag Queens

Courtesy of yahoo.com

 

 

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Contact Caroline at

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Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published five novels

  • Getting Lost To Find Home
  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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