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On DNA And Cats

Mar 06, 2015
by Caroline Miller
23andMe, Anne Wojcick, DNA, French Italian and American fashion, style as DNA or culture?
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23andMe was founded by Anne Wojcick and named for the  23 pairs of chromosomes that comprise the human  DNA.  She created the company because she believes people should have access to their biological  data.  The FDA disagrees and now her company is in a tussle with the government.  The federal agency worries that, as yet, too much of DNA research is subject to guesswork and that false information could result.   They also worry that some data shouldn’t be revealed without a doctor present – like discovering your DNA doesn’t align with your father’s or you have a marker for a debilitating disease.    (“Code Breaker,” by Dr. Peter B. Bach, TownandCountry, March 2015, pgs. 124-126, 200.)

In her defense, Wojcicki points out that the public  has access to much of  their medical  information, already.  Not only are their  health records available, but wearable technology makes it possible for them to monitor their heart rate, their sleep habits, the number of steps they take in a day and the amount of calories they consume. Wojcicki feels it’s too late to put the genii back in the bottle.  The public will find ways to obtain personal information without the FDA’s blessing.    (Ibid pg. 124)

 I’m sure Wojcicki is right about the public.  They will find a way to circumvent government intervention.  Even so, I doubt it will provide  significant insight into human behavior.  Take, for example, an article that appears a few pages later in the magazine.   There, editors attempt to describe the differences in style  among American, Italian and French women.  Are the  differences real, and if so, are they the result of DNA or culture?   (Town&Country, March 2015, pgs. 163-167.)

The writers don’t answer the DNA question, but they are confident the differences exist.   American women, for example,  are noted for “high-low’ dressing.   They garb themselves in cashmere and silk, but the image is casual, as if they might be going out to mow the lawn.  Italian women, on the other hand, go for the sensual and seductive, dressing to emphasize that beneath their layers of clothing, they are both nude and tanned. (Ibid, pg 167)   French women, too, like telegraphing their sensuality, but they are seldom revealing, preferring to be  fashionable.  French women, according to these experts, are aloof.  They would never, ever reveal beauty secrets, the addresses of  favorite shops and would never be caught dead in rubber flip-flops. (Ibid pg. 164).

 At first, these generalizations seem to be created with too  broad a brush stroke.  But take a step back and the canvas rings true.  Is it DNA or culture that gives them their commonality?  In the case of French woman, I suspect it’s DNA.  Rich or poor, I’ve seen these women strolling the streets of Paris or working in shops.  Whatever their station in life,  they exude an air of superiority  that can bring a man to his knees.  I think of them as cats.  They move with confidence even if the fur coat on their backs is old and the only one they own.

Elegant model

Courtesy of www.couturesnob.com

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Contact Caroline at

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Portland, Oregon author Caroline Miller had distinguished careers as an educator, union president, elected official and artist/advocate.

Her play, Woman on the Scarlet Beast, was performed at the Post5 Theatre, Portland, OR, January/February 2015

Caroline published a serialized novelette, Marie Eau-Claire, on the website, The Colored Lens.  She also published the story Gustav Pavel,  a parable about ordinary lives, choice and alternate potential, on the website Fixional.co.

Caroline has published five novels

  • Getting Lost To Find Home
  • Ballet Noir
  • Trompe l’Oeil
  • Gothic Spring
  • Heart Land

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